Believing & Doubting (and “Negative Capability”)

Believing & Doubting is when you write on two opposing sides of an idea, an assertion, an interpretation—something an author says that can be agreed or disagreed with.

The most basic way to do this exercise is to freewrite a “pro” paragraph followed by a “con” paragraph.

The more difficult (but more rewarding and far more useful) way to do this exercise is really to discover and be able to understand (as in stand under and support) two opposing points of view with equal conviction—allowing yourself to become “of two minds” (after all, two minds are better than one). The idea is to articulate your point of view first, and then to do your best to imagine the opposite point of view as fully as possible. It helps to pretend you are someone who really believes this opposite point of view, and write as if you are that person (use first person!).

This is a very powerful exercise of the imagination, leading to all kinds of surprising insights. One potential outcome is a higher synthesis of the two opposites (which are, respectively, thesis and antithesis): a perspective that rises above and encompasses the contradictions. Another sublime outcome is what the Romantic poet John Keats called “Negative Capability,” which, in a letter to his brothers, he described this way:

… at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously—I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason—Coleridge, for instance, would let go by a fine isolated verisimilitude caught from the Penetralium of mystery, from being incapable of remaining content with half‑knowledge. This pursued through volumes would perhaps take us no further than this, that with a great poet the sense of Beauty overcomes every other consideration, or rather obliterates all consideration.


Go Fish in
Streams of Consciousness:

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